10.30.2008

heaven

(an Ashbery Erasure poem)

I almost meant people could

change an idea
00000000000together

package it

the genius anyway
understands

I'm not going drunk

back to the dollhouse

young at lunch, harmless

gentleman

in the hall
go back to the kitchen

I knew the morning had passed

I could bow like a plastered
ad to the future

dripping

innate

10.28.2008

BALTIMORE

000(an Ashbery Erasure poem)


We live around
the saddest snow

Prairie metamorphosis

is this your company,
a curled up clock

of words

Collected 00000tho 00000licked

henbane presuming, I know

he spotted the child

everything

everything

I'm too shy to row away

***
from Notes from the Air
festival Asia

000(an Ashbery Erasure poem)


I first heard groans

shuttered distances and love

to repeat

we all wanted that

bring the being

I say go for some grants

be a trestle idle against the empty bellies

jobs we still maintain

you are a deadly white prisoner

pleasant once the future has had its way with hell

that’s the way it is

a tangled diagram you can’t excuse

caught, they all said

but that was the gin

a nice place to be

and more hogs were brought down

the owner of the rain was angry

***
text found on page 109 of Flow Chart

10.26.2008

THE FAVOR OF A REPLY

000(an Ashbery Erasure poem)


That's something
footsteps slanted in the eyes

a photograph

the dead

some real entertainment

the couch after dinner
skirts around the house

No one ever dragged you out after art

cash is a cover-up

admit it

new clothes in the mist still seem an illusion

after sex
there's nothing

but sky

10.20.2008

Happy Halloween . . .

10.19.2008


ANGLE OF PURPOSE


The garden, preliminary family

the laminate view, and the smell of wet hills

I rose to the wounds

the big bang represented by this peach pit

that's my kind of peaceful

a ball made of wood rolling on wood all night

a flashlight, trying to impress

It's time to return to the chances

tree-dappled light illustrative lyricism

the fly-away tents

the thing was a funnel of emotional weather

acorns and raindrops

depression, and benadryl

cloudy most days

the Midwest tastes like a penny

10.15.2008

FROG IN ROAD


I taught, students struggling or sailing, depending,
through poems on computers, inspired, at least
indirectly, by the film Henry Fool, or maybe just
the last friend they text messaged . . . But enough
of that. On the way home I took Frances Street,
and crawling--not hopping--across the
road, lit huge in my headlights, big webbed toes on it,
was an enormous frog. It was a wonderful moment.
I looked over at my empty passenger seat.
No one to verify, no one to tell. Perfect.
I love that this moment froze deep inside me.
Here I am telling about it, but who knows
what you are picturing. I know what I saw and
it was like a sign. For what you may ask?
I'm not sure. But it was enormous and rather
a ghostly pale yellow color. Yes, yes, I thought
back to Magnolia, but I just saw the one
frog, and he (or she) seemed a hopeful soul,
crawling north, perhaps toward a hidden back yard
pond. I love that these hypothetical ponds
probably do exist. Right in the middle of South Bend,
no less. I'm sure they do. It was raining,
surely a good thing for a traveling frog. A Frog,
and maybe a Pond. A deep pond, in a small back yard,
with maybe a steel jungle gym thrown in--I
picture it sinking and sinking in the deep midnight water--
a few boulders, maybe a mailbox post, and bluegills
and one big bass. A lily pad shining a little despite
the lack of a moon, just light bulbs on a few back
porches. What would I do without these creatures
all over the place, birds and rodents etc.? Without
the idea of deep ponds in every back yard . . . I really
don't know. It'd be a real bummer . . .

10.12.2008

The Flooded Grave, photograph by Jeff Wall
THE FLOODED GRAVE

0000Graham Foust


It's what's become this room
we are hostless
for the most part.

There is infinite glitter.
There is earth.

An open grave,
let's say--not automatically
horrific--or
the not saying "raining"
in what is now this room.

We tune and we fade,
not undetermined upon bloom.

We shatter that way.
We don't and then we do.

***
after a photograph by Jeff Wall (above)